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In the philosophy of art, an interpretation is an explanation of the meaning of a work of art. [ a ] An aesthetic interpretation expresses a particular emotional or experiential understanding most often used in reference to a poem or piece of literature, and may also apply to a work of visual art or performance.
A prominent proponent of this view is E.D. Hirsch, who in his influential book Validity in Interpretation (1967) argues for "the sensible belief that a text means what its author meant". [ 8 ] [ 9 ] Hirsch contends that the meaning of a text is an ideal entity that exists in the author's mind, and the task of interpretation is to reconstruct ...
The interpreter listens to the speaker and writes only that information which the interpreter judges sufficient to render the meaning. Numbers, names, and the titles of persons are retained in the interpretation. Interpreting notes are typically written in a notebook with each note being separated from the others by a horizontal line.
Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and the nature of taste and, in a broad sense, incorporates the philosophy of art. [1]
Stylistics, a branch of applied linguistics, is the study and interpretation of texts of all types, but particularly literary texts, and spoken language with regard to their linguistic and tonal style, where style is the particular variety of language used by different individuals in different situations and settings.
"Against Interpretation" is Sontag's influential essay in Against Interpretation and Other Essays, which discusses the divisions between two different kinds of art criticism and theory: formalist interpretation and content-based interpretation. Sontag is strongly averse to what she considers to be contemporary interpretation, that is, an ...
In literary and historical analysis, presentism is a term for the introduction of present-day ideas and perspectives into depictions or interpretations of the past. Some modern historians seek to avoid presentism in their work because they consider it a form of cultural bias, and believe it creates a distorted understanding of their subject matter. [1]
Freeman Tilden (August 22, 1883 – May 13, 1980) was one of the first people to set down the principles and theories of heritage interpretation in his 1957 book, Interpreting Our Heritage. Tilden was born in Malden, Massachusetts , and developed his writing skills as a newspaper reporter.