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Mixers with onboard digital effects typically offer a wide range of these effects. create an audible test tone via an oscillator. The test tone can be used to troubleshoot issues before the band arrives and determine if channels are functioning properly. read and write console automation. be interfaced with computers or other recording equipment.
EM60, EM90, PM200, ES60, ES90 mixers PS75, PS100 speakers introduced 1974 PM1000 modular mixers introduced 1976 P2200 amplifiers introduced 1978 PM2000 mixers introduced 1983 REV1 Signal Processors introduced 1985 SPX90 Signal Processors introduced PM3000 mixers introduced 1986 DMP7 digital mixer introduced [3] 1992 PM4000 mixers introduced 1995
A post-fader output is used in order to prevent channels whose faders are at zero gain from "contaminating" the effects-return loop with hiss and hum. Mixing consoles most commonly have a group of aux-send knobs in each channel strip, or, on small mixers, a single aux-send knob per channel, where one knob corresponds to each aux-send on the board.
A mixer (mixing console, mixing desk, mixing board, or software mixer) is the operational heart of the mixing process. [10] Mixers offer a multitude of inputs, each fed by a track from a multitrack recorder. Mixers typically have 2 main outputs (in the case of two-channel stereo mixing) or 8 (in the case of surround).
In the editing process, the source's signal level, frequency content, dynamics, and panoramic position are commonly manipulated and effects added. In video production, this is called sweetening. The process takes place on a mixing stage, typically in a studio or purpose-built theater , once the picture elements are edited into a final version.
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