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The researcher behind the viral art history-inspired social account Weird Medieval Guys offers ... to 15th-century manuscripts — showing jovial skeletons and wan angels, strangely drawn animals ...
Medieval art is colorful, creative, quirky, stylized, and goofy. The results are often incredibly bizarre but undeniably entertaining. The post ‘Weird Medieval Guys’: 50 Amusing And Confusing ...
Evidence of retouching of text on page 3; f1r Retouching of drawing on page 131; f72v3. The Voynich manuscript is an illustrated codex, hand-written in an unknown script referred to as Voynichese. [18] The vellum on which it is written has been carbon-dated to the early 15th century (1404–1438).
Medieval art was now heavily collected, both by museums and private collectors like George Salting, the Rothschild family and John Pierpont Morgan. After the decline of the Gothic Revival, and the Celtic Revival use of Insular styles, the anti-realist and expressive elements of medieval art have still proved an inspiration for many modern artists.
Teiknibók (Reykjavík, Stofnun Árna Magnússonar, AM 673 a III 4to) is an Icelandic manuscript of drawings used as models for manuscript illumination, painting, carving and metalwork. It is remarkable for being one of only three dozen books of its type which survive from Western Europe and the only example extant from medieval Scandinavia.
Drollery detail from the Hours of Charles the Noble Page from the 14th-century Luttrell Psalter, showing two drolleries in the right margin.. A drollery, often also called a grotesque, is a small decorative image in the margin of an illuminated manuscript, most popular from about 1250 through the 15th century, [1] though found earlier and later.
Miniature of Sinon and the Trojan Horse, from the Vergilius Romanus, a manuscript of Virgil's Aeneid, early 5th century. A miniature (from the Latin verb miniare 'to colour with minium', a red lead [1]) is a small illustration used to decorate an ancient or medieval illuminated manuscript; the simple illustrations of the early codices having been miniated or delineated with that pigment.
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.