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The opposing hypothesis, heralded by Carmen Aguilera in her article Of Royal Mantles and Blue Turquoise: The Meaning of the Mexica Emperor's Mantle, suggests that, in keeping with the traditionally ornate garments worn by Aztec nobility, the design was created by studding or embroidering turquoise tiles and beads onto a net base made of plant ...
The use of Maya blue was corroborated in the Grolier Codex, and helped to authenticate the document, now known as Codex Maya of Mexico. Recent research also suggests Maya blue may have played an important role in human sacrifices to Chaac at Chichén Itzá, both produced at the sacrificial site and used to paint the bodies of the victims. [15] [1]
The Nahui Ollin is a fundamental concept in Aztec/Mexica cosmology, a guide for everyday life and decisions. The objective is to constantly strive for balance, even when there is struggle. The Nahui Ollin uses cultural concepts representing community, knowledge, education, will power, transformation, and most importantly, self-reflection .
Ichcahuipilli armor was a lightweight, multifunctional garment worn on the torso of the warrior, designed to provide blunt-force trauma protection against clubs and batons, slash protection from obsidian macuahuitl, and projectile protection from arrows and atlatl darts. [3]
Varieties of clothing worn by Aztec men, before the Spanish conquest. Basic dress of an Aztec woman before the Spanish conquest. Over time the original, predominantly kin-ship-based style of textile production gave way to more workshop and class-based production. [7] Producing the fibers to make clothing was a highly gendered operation. [3]
(Black Tezcatlipoca) [6] [7] Quetzalcōātl, god of the life, the light and wisdom, lord of the winds and the day, and the lord of the West. Quetzalcoatl is the old arch-nemesis of Tezcatlipoca. Sometimes, Quetzalcoatl was the ruler of the East like Xipe-Totec [citation missing].