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God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
And being found in fashion as a man, he humbled himself, and became obedient unto death, even the death of the cross. Wherefore God also hath highly exalted him, and given him a name which is above every name: That at the name of Jesus every knee should bow, of things in heaven, and things in earth, and things under the earth;
A Christ figure, also known as a Christ-Image, is a literary technique that the author uses to draw allusions between their characters and the biblical Jesus.More loosely, the Christ figure is a spiritual or prophetic character who parallels Jesus, or other spiritual or prophetic figures.
The poem, written after Newman's conversion from Anglicanism to Roman Catholicism, [1] explores his new Catholic-held beliefs of the journey from death through Purgatory, thence to Paradise, and to God. The poem follows the main character as he nears death and reawakens as a soul, preparing for judgment, following one of the most important ...
Answering a reader's question about the poem in 1879, Longfellow himself summarized that the poem was "a transcript of my thoughts and feelings at the time I wrote, and of the conviction therein expressed, that Life is something more than an idle dream." [13] Richard Henry Stoddard referred to the theme of the poem as a "lesson of endurance". [14]
In early editions the hymn, in seven stanzas, was indicated as an improved (German: gebessert) version of "Christ ist erstanden". [1] The hymn is in bar form.The Stollen, that is the repeated first part of the melody, sets two lines of text for each repetition, with the remaining four lines of each stanza set to the remainder of the melody.
The framing device is the narrator having a dream. In this dream or vision he is speaking to the Cross on which Jesus was crucified. The poem itself is divided up into three separate sections: the first part (lines 1–27), the second part (lines 28–121) and the third part (lines 122–156). [1]
Heliand excerpt from the German Historical Museum. The Heliand (/ ˈ h ɛ l i ən d /) is an epic alliterative verse poem in Old Saxon, written in the first half of the 9th century.. The title means "savior" in Old Saxon (cf. German and Dutch Heiland meaning "savior"), and the poem is a Biblical paraphrase that recounts the life of Jesus in the alliterative verse style of a Germanic ep