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This new song, titled "Sway", has become a standard in the pop repertoire. The first version to achieve considerable success in the United States was recorded by singer Dean Martin with the Dick Stabile orchestra in 1954.
Pablo Beltrán Ruiz (5 March 1915 - 29 July 2008) was a Mexican composer and bandleader, most famous for having composed, together with Mexican singer Luis Demetrio, the Spanish-language 1953 pop standard "¿Quién será?", whose English version is known as "Sway": it had its lyrics written by Norman Gimbel, and was an international hit by Dean Martin in 1954, and by Bobby Rydell in 1960.
The Dean Martin Christmas Album: 1967 "Lay Some Happiness on Me" 55 55 6 — 50 Happiness Is Dean Martin "In the Chapel in the Moonlight" (Recorded December 22, 1964) 25 30 1 — 4 Dean Martin Hits Again "Little Ole Wine Drinker, Me" 38 48 5 — 5 Welcome to My World "Things" (with Nancy Sinatra) [ii] — — — — 61 Movin' with Nancy
Swingin' Down Yonder is the first full-length, 12-inch album recorded by Dean Martin for Capitol Records during three sessions in September and October 1954 and February 1955. According to the original sleeve notes, all the songs have a "common geographical root: the American South."
Dean Martin (born Dino Paul Crocetti; June 7, 1917 – December 25, 1995) was an American singer, actor, and comedian.Nicknamed the "King of Cool", he is regarded as one of the most popular entertainers of the mid-20th century.
American Frankie Laine secured the record for most top 10 hits in 1954 with seven hit singles. Rosemary Clooney was one of a number of artists with two top 10 entries, including the number-one single "This Ole House". Al Martino, Billy Cotton and His Band, Dean Martin and Max Bygraves were among the other artists who had multiple top 10 entries ...
He is best known for composing the Spanish-language 1953 pop standard "¿Quién será?" and its English-language counterpart "Sway" together with Mexican bandleader Pablo Beltrán Ruiz and lyricist Norman Gimbel. The song became an international hit and was covered by Dean Martin in 1954 and by Bobby Rydell in 1960.
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