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Zahn number of the chorale melody. When the data in the Zahn column starts with N that refers to "Nachtrag von vier Melodien" (supplement of four melodies), pp. 566–568 in Zahn's 1893 last volume: the number after the slash refers to the place of the melody in this sequence of four. [29] 3 BWV
The exact origin of preaching chords being played in African American Baptist and Pentecostal churches is relatively unknown, but is mostly believed to have started in either the early or mid-20th Century, at a time when many African-American clergymen and pastors began preaching in a charismatic, musical call-and-response style. [3]
A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part (or more) harmony, a fast harmonic rhythm (chords change frequently), with or without refrain or chorus.
Print/export Download as PDF; Printable version; In other projects ... List of musical chords Name Chord on C Sound # of p.c.-Forte # p.c. #s Quality Augmented chord:
Byzantine Chant is the original musical tradition of the Eastern Orthodox Church, but this developed into a large number of regional variations, including the tonal, polyphonic four-part harmony of the Russian, Ukrainian and Bulgarian churches, and the three part melodies of the Church of Georgia.
Four-voice texture in the Genevan psalter: Old 124th. [1] Play ⓘ. Four-part harmony is music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music.
Other chord qualities such as major sevenths, suspended chords, and dominant sevenths use familiar symbols: 4 Δ 7 5 sus 5 7 1 would stand for F Δ 7 G sus G 7 C in the key of C, or E ♭ Δ 7 F sus F 7 B ♭ in the key of B ♭. A 2 means "add 2" or "add 9". Chord inversions and chords with other altered bass notes are notated analogously to ...
After the quote from the Gospel of John, the poet paraphrases, in movement 3, words of Jesus from the Gospel of Matthew, Matthew 18:20, "Wo zwei oder drei versammelt sind in meinem Namen, da bin ich mitten unter ihnen" (For where two or three are gathered together in my name, there am I in the midst of them).