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The use of Maya blue was corroborated in the Grolier Codex, and helped to authenticate the document, now known as Codex Maya of Mexico. Recent research also suggests Maya blue may have played an important role in human sacrifices to Chaac at Chichén Itzá, both produced at the sacrificial site and used to paint the bodies of the victims. [15] [1]
[7] Traditional clothing for sale on a sidewalk in Mexico City. Federal agencies such as FONART and various state agencies have their own promotional efforts including annual crafts contests and the recognition of masters in various fields, including textiles. Florentina López de Jesús is an Amusgo from Xochistlahuaca, Guerrero. She learned ...
Varieties of clothing worn by Aztec men, before the Spanish conquest. Basic dress of an Aztec woman before the Spanish conquest. Over time the original, predominantly kin-ship-based style of textile production gave way to more workshop and class-based production. [7] Producing the fibers to make clothing was a highly gendered operation. [3]
[3] [5] The Aztec main god, Huitzilopochtli, is associated with the hummingbird. His origin is from ball of fine feathers that fell on his mother, Coatlicue, and impregnated her. He was born fully armed with an eagle feather shield, fine plumage in his head and on his left sandal. [6] Feathers were valued similarly to jade and turquoise in ...
Ītzpāpalōtl [a] ("Obsidian Butterfly") was a goddess in Aztec religion. She was a striking skeletal warrior and death goddess and the queen of the Tzitzimimeh . She ruled over the paradise world of Tamōhuānchān , the paradise of victims of infant mortality and the place identified as where humans were created.
Aztec codices were usually made from long sheets of fig-bark paper or stretched deerskins sewn together to form long and narrow strips; others were painted on big cloths. [5] Thus, usual formats include screenfold books, strips known as tiras, rolls, and cloths, also known as lienzos. While no Aztec codex preserves its covers, from the example ...