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"Soon May the Wellerman Come", also known as "Wellerman" or "The Wellerman", is a folk song in ballad style [2] first published in New Zealand in the 1970s. The "wellermen" were supply ships owned by the Weller brothers , three merchant traders in the 1800s who were amongst the earliest European settlers of the Otago region of New Zealand.
Ruins of the pillared hall at Kumrahar site at Pataliputra The Pataliputra capital, discovered at the Bulandi Bagh site. 4th-3rd c. BCE Mauryan remains of a wooden palissade at Bulandi Bagh site. During the reign of Emperor Ashoka in the 3rd century BCE, it was one of the world's largest cities, with a population of about 150,000–400,000. [27]
[1] [11] "Wellerman", which was already well known on the app due to the popularity of his version of the song, quickly gained views on TikTok, inspiring many others to duet and to remix the song, including renditions by composer Andrew Lloyd Webber, comedians Jimmy Fallon and Stephen Colbert, [12] guitarist Brian May, and entrepreneur Elon ...
The trend sparked a huge interest in sea shanties (despite Wellerman not actually being a sea shanty) with millions of people discovering The Longest Johns' recording of Wellerman, originally released on their 2018 album Between Wind and Water. [24] The song has been streamed on Spotify over 58 million times (as of 11 March 2023). [25]
[1] [2] In 2021, they were one of the remixers of "Wellerman", a sea shanty originally recorded by the British singer Nathan Evans. The Official Chart Company gave the remixers a chart credit alongside the singer (as Nathan Evans x 220 Kid x Billen Ted) with the remix of the song topping the UK Singles Chart in March 2021. It also charted in ...
In the 1860-1870 period a folksong (writer unknown) titled Soon May the Wellerman Come was coined. The song’s lyrics highlight the way that many whaling stations relied upon the ‘wellermen’ as from 1833 ships used by the Wellers travelled the coast from their Ōtākou base to sell provisions to other whaling operations."
Ruins was made in Aljezur, Portugal in 2011 on a residency set up by Galeria Zé dos Bois. I recorded everything there except the last song, which I did at mother's house in 2004. Iʼm still surprised by what I wound up with. It was the first time Iʼd sat still for a few years; processed a lot of political anger and emotional garbage.
One Hour by the Concrete Lake takes a more thorough and factual approach to its concept than its predecessor, Entropia. A number of facts are given in the album booklet, with a list of sources provided at the end. The chronological order of songs is the same as the track order (as opposed to Entropia) and