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Daniel 2 (the second chapter of the Book of Daniel) tells how Daniel related and interpreted a dream of Nebuchadnezzar II, king of Babylon.In his night dream, the king saw a gigantic statue made of four metals, from its head of gold to its feet of mingled iron and clay; as he watched, a stone "not cut by human hands" destroyed the statue and became a mountain filling the whole world.
For over two thousand years readers have speculated as to the meaning of the themes running through the Book of Daniel: [16] The four kingdoms: In Daniel 2 Nebuchadnezzar dreams of a giant statue of four metals identified as symbolising kingdoms, and in Daniel 7 Daniel sees a vision of four beasts from the sea, again identified as kingdoms. In ...
The second chapter of the Book of Daniel tells how Daniel interpreted a dream of Nebuchadnezzar, king of Babylon. The king saw a gigantic statue made of four metals, from its gold head to its feet of mingled iron and clay; as he watched, a stone "not cut by human hands" destroyed the statue and became a mountain filling the whole world.
Daniel and his friends refuse the food and wine provided by the king of Babylon to avoid becoming defiled. They receive wisdom from God and surpass "all the magicians and enchanters of the kingdom." Nebuchadnezzar dreams of a giant statue made of four metals with feet of mingled iron and clay, smashed by a stone from heaven.
1.2 Modern. 2 Gallery. 3 See also. 4 References. 5 External links. ... Lion of Babylon statue, built c. 6th century BCE and rediscovered in 1876 CE, Iraq. See also
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The Hand of God, or Manus Dei in Latin, also known as Dextera domini/dei (the "right hand of God"), is a motif in Jewish and Christian art, especially of the Late Antique and Early Medieval periods, when depiction of Yahweh or God the Father as a full human figure was considered unacceptable.
While Byzantine art flourished in various forms, sculpture and statue making witnessed a general decline; although statues of emperors continued to appear. [16] An example was the statue of Justinian (6th century) which stood in the square across from the Hagia Sophia until the fall of Constantinople in the 15th century. [ 16 ]