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In 1990, the four members reunited for a second effort, titled Highwayman 2, which reached #4 on the country album chart. The Lee Clayton-penned song "Silver Stallion" was the first single and made the country Top 40. The album was nominated for a Grammy for Best Country Vocal Collaboration. Highwayman 2 was produced, once again, by Moman. Six ...
Highwayman, consisting of ten tracks, was released as a follow-up to the successful single of the same name and the title track of the album itself."Highwayman", a Jimmy Webb cover, hit the top of the country charts and was followed up by the Top 20 hit "Desperados Waiting for a Train", whose original version was released by Guy Clark.
Highwayman" is a song written by American singer-songwriter Jimmy Webb about a soul with incarnations in four different places in time and history: as a highwayman, a sailor, a construction worker on the Hoover Dam, and finally as a captain of a starship. Webb first recorded the song on his album El Mirage, released in May 1977.
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The album was re-released on November 8, 2005, on Capitol Nashville/EMI with bonus tracks and, in some versions, an extra DVD for the album's 10th anniversary. The DVD includes a music video for "It Is What It Is", as well as a short documentary entitled Live Forever - In the Studio with the Highwaymen.
"Free Fallin '" is the opening track from American musician Tom Petty's debut solo album, Full Moon Fever (1989). The song was written by Petty and his writing partner for the album, Jeff Lynne , and features Lynne on backing vocals and bass guitar.
Phil Ochs – vocals, guitar; Jac Holzman – production supervisor; Paul A. Rothchild – recording director; with the Blues Project: Roy Blumenfeld – drums on "I Ain't Marching Any More" (electric version) Danny Kalb – guitar on "I Ain't Marching Any More" (electric version) Steve Katz – guitar on "I Ain't Marching Any More" (electric ...
The song follows the stories of 4 historically fictional men (a shotgun rider for the fictional "San Jacinto Line", a card shark, a Midwest farmer, and a Cherokee American Indian) in a similar vein to their cover of "Highwayman". [2] Unlike in Highwayman, however, none of the characters are implied dead; their legacies are instead emphasized.