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One of the most distinctive aspects of indigenous handcrafted textiles is the use of embroidery. Indigenous motifs found on garments range from geometric patterns, zig-zag, spirals, moons, crosses and stepped frets. Thin cloth belts that wrap around the waist (fajillas) are common in a number of indigenous groups and are richly embroidered.
Classic Saltillo Serape, circa 1825 Traditional serapes are worn like a shawl or cloak.Its alteration into a poncho-like clothing item is more recent. The serape, sarape or jorongo is a long blanket-like shawl or cloak, often brightly colored and fringed at the ends, worn in Mexico, especially by men.
The dress for Aztec royalty also varied from the dress for the elites. According to scholar Patricia Rieff Anawalt, the clothing worn by the Aztec royalty was the most lavish of all the garments worn by the Aztec people. [16] Their elaborate dress was also worn in combination with embellishments of jewelry, particularly in ceremonial occasions ...
Chilkat blanket in the collection of the University of Alaska Museum of the North, Fairbanks, Alaska. Traditional textiles of Northwest Coast tribes are enjoying a dramatic revival. Chilkat weaving and Ravenstail weaving are regarded as some of the most difficult weaving techniques in the world. A single Chilkat blanket can take an entire year ...
Patolli and its variants were played by a wide range of pre-Columbian Mesoamerican cultures and were known all over Mesoamerica: it was played by the Teotihuacanos (the builders of Teotihuacan, ca. 200 BC - 650 AD), the Toltecs (ca. 750 - 1000), the inhabitants of Chichen Itza (founded by refugee Toltec nobles, ca. 1100 - 1300), the Aztecs (who claimed Toltec descent, 1168 - 1521) and all of ...
This included bright colored short shorts, jeans shorts with a stone wash or acid wash, shorter 7, 6, and 5 inch inseam shorts from mid 2010s on, shirts with Aztec patterns, Mayan patterns, camouflage prints or 19animal prints, flannel shirts, high top sneakers, snapback hats, and gaudy wristwatches.
The Nahui Ollin is a fundamental concept in Aztec/Mexica cosmology, a guide for everyday life and decisions. The objective is to constantly strive for balance, even when there is struggle. The Nahui Ollin uses cultural concepts representing community, knowledge, education, will power, transformation, and most importantly, self-reflection .
Varieties of tilmàtli worn by Aztec men, before the Spanish massacres, signifying their social positions: a: a young person wearing only a maxtlatl b: a common person (Macehualtin) dress c: a noble or high ranking warrior dress d: dress of the ruling classes and the clergy e: a less common way to wear the tilmàtli f: war dress.