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This article lists Christmas carols and songs sung by the Filipinos during local Christmas season. As with much Filipino music , some of these songs have their origins in the Spanish and American colonial periods, with others written as part of the OPM movement.
OPM is the first ever compilation album by Filipino singer Sarah Geronimo, released on December 22, 2008 in the Philippines by VIVA Records.It consists of OPM songs that she has released, may it be a single, an album track or a soundtrack.
It should only contain pages that are OPM (band) songs or lists of OPM (band) songs, as well as subcategories containing those things (themselves set categories). Topics about OPM (band) songs in general should be placed in relevant topic categories .
Included on American singer-songwriter Sufjan Stevens' 2006 album Songs for Christmas. [27] U2's song "White as Snow" from its 2009 release No Line on the Horizon takes its tune directly from the hymn. [28] The 2000 charity album It's a Cool Cool Christmas features a version by the Scottish band Belle and Sebastian. [29] A short version of this ...
Menace to Sobriety is the debut studio album by American rock group OPM.It was released in August 2000 via Atlantic Records, and was re-released on September 8, 2015 as part of its 15-year anniversary. [2]
Originally, a "Christmas carol" referred to a piece of vocal music in carol form whose lyrics centre on the theme of Christmas or the Christmas season. The difference between a Christmas carol and a Christmas popular song can often be unclear as they are both sung by groups of people going house to house during the Christmas season.
Featured on her album Home For Christmas, the song peaked at #6 on Billboard's Holiday Songs chart in 2002. [265] Christina Aguilera: 2000 Featured on her album My Kind of Christmas, the song peaked at #31 on Billboard's Holiday 100 in 2015. [266] Toni Braxton: 2001 Peaked at #14 in 2001 on Billboard's Holiday Songs chart. [267] James Taylor: 2001
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).