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The strong female character is a stock character, the opposite of the damsel in distress. In the first half of the 20th century, the rise of mainstream feminism and the increased use of the concept in the later 20th century have reduced the concept to a standard item of pop culture fiction.
Image credits: VapoursAndSpleen #3. Wednesday and Morticia Adams. They both are strong willed, confident females who don’t give an F about what other people think about them.
Pages in category "Female characters in literature" The following 200 pages are in this category, out of approximately 462 total. This list may not reflect recent changes .
The idea of a strong, independent female character in children's books plays into the topic of gender representation. According to Varga-Dobai, "The study of gender portrayals in children's literature has been closely informed by both cultural and feminist studies because women, as members of culture, have often been represented as the "other ...
In the late 1800s and early 1900s, a new breed of women started to emerge from the depths of circus tents around the world: the strong-woman. These women quickly drew large crowds of circus lovers ...
The roles of women in The Lord of the Rings have often been assessed as insignificant, or important only in relation to male characters in a story about men for boys. Meanwhile, other commentators have noted the empowerment of the three major women characters, Galadriel , Éowyn , and Arwen , and provided in-depth analysis of their roles within ...
The apparent first appearance of the character was in the 1969 film Midnight Cowboy wherein a little girl covers her face with a copy of DC Comics' Wonder Woman #178. [10] Later appearances have female (and male) characters of all ages appearing in Wonder Woman's costume or T-shirt representations of said costume.
Women in Shakespeare is a topic within the especially general discussion of Shakespeare's dramatic and poetic works. Main characters such as Dark Lady of the sonnets have elicited a substantial amount of criticism, which received added impetus during the second-wave feminism of the 1960s.