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"Got to Get You into My Life" is a song by the English rock band the Beatles, first released in 1966 on their album Revolver. It was written by Paul McCartney and credited to Lennon–McCartney. [5] [6] The song is a homage to the Motown Sound, with colourful brass instrumentation [7] and lyrics that suggest a psychedelic experience. [1] "
I Love You" (see mode mixture), and later in "Every Little Thing", "Tomorrow Never Knows" and "Got to Get You into My Life" (in the latter two against a tonic pedal). [20] Alan W. Pollack also interprets the chord as a surrogate dominant, the G being an anticipation that resolves on the G major chord that opens the verse.
The song was McCartney's attempt to create a sound as loud and dirty as possible. It is regarded as a key influence in the early development of heavy metal. In 1976, the song was released as the B-side of "Got to Get You into My Life" in the United States, to promote the Capitol Records compilation Rock 'n' Roll Music.
Social Distortion was formed in 1978 by Mike Ness, inspired by the Sex Pistols and many other British punk bands as well as rock acts such as the Rolling Stones.Aside from Ness on guitar and Casey Royer on drums, early members included Mark Garrett on bass and former Cal State Fullerton basketball player Tom Corvin on vocals. [13]
When Social Distortion recorded its first single in 1981, Mainline/Playpen, Danell was the bassist, choosing this because it was "easier to play. I only had to hit single notes rather than forming chords". Shortly after the brief bass stint, Danell switched to guitar after Ness taught him how to play.
Bennett got the opportunity to hear the Paul McCartney song "Got to Get You into My Life", which was used on the Revolver album, but was never released as a single. [2] Bennett recorded it, with his own composition "Baby Each Day" appearing on the B-side. [2] McCartney produced the session.
In December 1965, the Beatles' Rubber Soul album was released to wide critical acclaim. [2] According to author David Howard, the limits of pop music "had been raised into the stratosphere" by the release, resulting in a shift in focus away from singles to creating albums of consistently high quality. [3]
Hard Times and Nursery Rhymes is the seventh studio album by American punk rock band Social Distortion, released on January 18, 2011. [5] It is the band's first album recorded with bassist Brent Harding, their first album of new material since 2004's Sex, Love and Rock 'n' Roll, and their first release on Epitaph Records.