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Tinikling is a traditional Philippine folk dance which originated prior to Spanish colonialism in the area. [1] The dance involves at least two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance.
Birds, mountains, seas and straits have become inspiration for local dances. The tinikling mimic the rice-preying birds, the itik-itik is reminiscent of its namesake the duck, the courtship dances of the Cordillera are inspired by hawk-like movements. Sayaw Sa Bangko (Bench Dance)-rural folk dance forms with agile jumping on and off benches
A game variant of the tinikling dance, with the same goal—for the players to dance nimbly over the clapping bamboo "maw" without having their ankles caught. Once one of the players' ankles gets caught, they replace the players who hold the bamboo. The game will continue until the players decide to stop.
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The following is a list with the most notable dances. Names of many Greek dances may be found spelt either ending with -o or with -os. This is due to the fact that the word for "dance" in Greek is a masculine noun, while the dance itself can also be referred to by a neuter adjective used substantively. Thus one may find both "hasapiko" ("the ...
Traditional Valencian dances. A folk dance is a dance that reflects the life of the people of a certain country or region. Not all ethnic dances are folk dances. For example, ritual dances or dances of ritual origin are not considered to be folk dances. Ritual dances are usually called "religious dances" because of their purpose.
Lucrecia Faustino Reyes-Urtula (June 29, 1929 – August 4, 1999) was a Filipino choreographer, theater director, teacher, author and researcher on ethnic dance. She was the founding director of the Bayanihan Philippine National Folk Dance Company and was named National Artist of the Philippines for dance in 1988.
According to the book of Francisca Reyes-Aquino, Philippine Folk Dances, Volume 2, there is a different version of the cariñosa in the region of Bicol. Reyes-Aquino is a Filipino folk dancer and cultural researcher who discovered and documented Philippine traditional dances, one of which is the Cariñosa. [1]