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Additionally, the full-length painting of St. Anthony Abbot in the Louvre appears to be from another altarpiece by the same master. Research in 2010 by Maria Falcone in Siena has revealed the name of the Master to be Sano di Pietro. Falcone found a document about an altarpiece by the “Master of Osservanza” for a church in Asciano, just ...
Matthias Grünewald, inner right wing of the Isenheim Altarpiece depicting the Temptation of St. Anthony, 1512-1516 (oil on panel). The Temptation of Saint Anthony is an often-repeated subject in the history of art and literature, concerning the supernatural temptation reportedly faced by Saint Anthony the Great during his sojourn in the Egyptian desert.
It is generally accepted by the art historical community that Sassetta's San Francesco altarpiece was one of the largest and most expensive of the Quattrocento. [7] The fact that it was produced by a Sienese artist in Siena , and shipped to the Tiber Valley town in late spring 1444 also speaks to Sassetta's fame in his time period.
The Temptation of Saint Anthony (Ernst) The Temptation of Saint Anthony (Savoldo) The Temptation of St Anthony (Utrecht) The Temptation of St Anthony (Kansas City) The Temptation of St Anthony (Bosch) The Temptation of St. Anthony (Dalí) The Torment of Saint Anthony; Il Tramonto (The Sunset) Triptych of the Temptation of St. Anthony
The Triptych of Temptation of St. Anthony is an oil painting on wood panels by the Early Netherlandish painter Hieronymus Bosch, dating from around 1501.The work portrays the mental and spiritual torments endured by Saint Anthony the Great (Anthony Abbot), one of the most prominent of the Desert Fathers of Egypt in the late 3rd and early 4th centuries.
Simone Martini, Annunciation with St. Margaret and St. Ansanus, 1333. The Sienese school of painting flourished in Siena, Italy, between the 13th and 15th centuries.Its most important artists include Duccio, whose work shows Byzantine influence, his pupil Simone Martini, the brothers Pietro and Ambrogio Lorenzetti and Domenico and Taddeo di Bartolo, Sassetta, and Matteo di Giovanni.
Giovanni di Paolo, St Catherine of Siena. Giovanni di Paolo di Grazia (c. 1403–1482) was an Italian painter, working primarily in Siena, becoming a prolific painter and illustrator of manuscripts, including Dante's texts.
The French born painter Nicolas Poussin had made his home in Rome since the age of 30. At the end of his life, from 1660 to 1664, he undertook his last set of paintings, The Four Seasons, a work commissioned by the Duc de Richelieu, grand-nephew of Cardinal Richelieu.