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Salsa romántica (Spanish of 'romantic salsa') is a soft form of salsa music that emerged between the mid-1980s and early 1990s in New York City, Puerto Rico, and the Dominican Republic. It has been criticised for it being supposedly a pale imitation of "real" salsa, often called " salsa dura ".
His 1991 album Dance With Me, [3] which established a new style of salsa called salsa romántica. [1] He has sung hit songs such as "Sueño Contigo" and "Disculpeme Señora". [ 2 ] His voice was widely adored by his fans, and his exceptional whistling abilities (being able to improvise as if he was playing a traverse flute) led them to give him ...
His 2011 CD release under Giro Productions and Oriente Music Group "Todavia Hay Amor" was produced by Cuto Soto and Gunda Merced. It contains three compositions, "Se Que Perdi," "No Te Puedo Olvidar" and "Llegaste," by salsa songwriter and composer Pedro Azael and a re-recorded version of his early hit "Me he enamorado," written by Pepe Luis Soto.
"Everybody Salsa" is a song by British band Modern Romance, released as a 7-inch and 12-inch single by WEA in 1981. It was also released in the United States, Benelux ...
Salsa music is a style of Caribbean music, ... “La salsa es, y siempre ha sido la musica Cubana.” “Salsa is, and always has been, Cuban music.”.
Salsa dura, also known as salsa brava or salsa gorda, [1] is a style of salsa music developed in the 1970s with an emphasis on the instrumental part of the music (piano, bass, horns, percussion, etc.) over the lead vocals. The genre originated in New York City where large ensembles such as Fania All-Stars adapted the salsa genre to a descarga ...
A notable salsa performer from the Dominican Republic is José Alberto, known as "El Canario" (The Canary) for his widely adored voice, who was born in Santo Domingo in 1958. Alberto relocated to Puerto Rico with his family and later to New York in the early 1970s, where he sang with several orchestras.
The final release consists of various Latin music styles including merengue, mambo, salsa, bachata, cha-cha-cha and balada. [ 3 ] One of the album's merengue tracks is "El Costo de la Vida", which is a Spanish-language adaptation of the 1988 soukous song "Kimia Eve" by Congolese band Loketo.