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Moreover, music plays a significant role in the formation of both social and personal identity. Certain music becomes strongly associated with essential aspects of an individual's identity and can enhance the retrieval of autobiographical memories through increased self-reference or by triggering specific memories that are central to one's ...
Autobiographical memory (AM) [1] is a memory system consisting of episodes recollected from an individual's life, based on a combination of episodic (personal experiences and specific objects, people and events experienced at particular time and place) [2] and semantic (general knowledge and facts about the world) memory. [3]
A personal-event memory is an individual's memory of an event from a certain moment of time. Its defining characteristics are that it is for a specific event; includes vivid multi-sensory elements (sights, sounds, smells, body positions, etc.); is usually recalled in detail; and is usually believed by the individual to be an accurate representation of the event.
Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...
The term flashbulb memory was coined by Roger Brown and James Kulik in 1977. [2] They formed the special-mechanism hypothesis, which argues for the existence of a special biological memory mechanism that, when triggered by an event exceeding critical levels of surprise and consequentiality, creates a permanent record of the details and circumstances surrounding the experience. [2]
Formed out of the male-dominated music scenes of jam music (in the case of Bonnaroo), late-’90s indie rock (Coachella), and early ’90s alternative and grunge (Lollapalooza), these festivals tend to celebrate diversity while dismissing the most popular pop acts — the ones who tend to dominate the charts and who tend so often to be female ...
A review in the Journal of Victorian Culture, by social and cultural historian of modern Britain Peter Bailey, found the book mainly retrod very well covered ground, in terms of the history of the music hall, and while a "very readable account for newcomers", its following of "blinkered orthodoxy of older accounts" and lack of references or a ...
Pages in category "Musicals inspired by real-life events" The following 150 pages are in this category, out of 150 total. This list may not reflect recent changes .