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Colorful costumes, endless radio play, and big-money music videos supported the top tunes throughout the '90s. In short, it was a time of musical triumph — and some of the decade’s biggest ...
This is a list of number-one alternative hits as recorded by Billboard ' s Alternative Airplay chart—a weekly national survey of popular songs on U.S. modern rock radio stations. The Alternative Airplay chart is based solely on radio airplay.
Nirvana attained four number-one songs on the chart during the decade, including the crossover hit "Smells Like Teen Spirit". R.E.M.'s "What's the Frequency, Kenneth" was the first number-one debut in the chart's history. Marcy Playground stayed at number one for fifteen weeks in 1998 with the song "Sex and Candy".
Mariah Carey amassed the most number-one hits (14 songs) and had the longest cumulative run atop the Billboard Hot 100 chart (60 weeks) during the 1990s. Carey is also the only artist to spend at least one week at the summit of the chart in each year of the decade.
Alternative Airplay (formerly known as Modern Rock Tracks between 1988 and 2009, and Alternative Songs between 2009 and 2020) is a music chart published in the American magazine Billboard since September 10, 1988. It ranks the 40 most-played songs on alternative and modern rock radio stations.
Classic Rock's Greatest Albums of the 90's: #36 [44] Pause & Play's "The 90s Top 100 Essential Albums" [45] Colin Larkin's All Time Top 1000 Albums: #557 [46] 1 October 1990 The La's: The La's: Alternative rock; jangle pop; skiffle [47] Polydor; Go! London; Widely considered to be a precursor to the Britpop phenomenon of the mid-1990s. [48]
This is a list of recording artists who have reached number one on Billboard magazine's Alternative Songs chart. Billboard began ranking the chart on the week ending September 10, 1988 (as Modern Rock Tracks), and this is the standard music popularity chart in the United States for play on modern rock radio.
The mid-1990s also witnessed a drastic difference between what reached the top of the Mainstream Top 40 chart and the Hot 100, when songs started being promoted to radio and receiving significant airplay without the release of a commercially available single, a requirement for a song to reach the Hot 100.