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The International Salsa Museum (ISM) is a museum in development in New York City dedicated to preserving and celebrating the history, evolution, and global impact of salsa music and dance. [ 1 ] [ 2 ] It has garnered support from the estates of salsa icons Tito Puente and Celia Cruz , as well as many other musicians, dancers, choreographers ...
The Palladium Ballroom was a New York City night club. The US mambo craze that started in 1948 began at the Palladium Ballroom. On March 15, 1946, it opened at the northeast corner of Broadway and 53rd Street. [1]
Latin Quarter (also known later on as The LQ) was a nightclub in New York City. [1] [2] The club originally opened in 1942 and featured big-name acts. In recent years, it had been a focus of hip hop, reggaeton and salsa music. Its history is similar to that of its competitor, the Copacabana.
The 1970s also brought new semi-known Salsa bands from New York City, bands such as Ángel Canales, Andy Harlow, Chino Rodríguez y su Consagracion (Chino Rodríguez was one of the first Chinese Puerto Rican artists that caught the eye of Fania Record's owner Jerry Masucci and later became the booking agent for many of the Fania artists ...
In the 1970s, Cheetah's New York venue became a popular Latin-American dance club that helped popularize salsa to mainstream America. It is widely cited as the birthplace of salsa music, or at least of the popular use of the term "salsa" to denote pan-Latin music brewing in New York City.
The New York club scene is an important part of the city's music scene, the birthplace of many styles of music from disco to punk rock; some of these clubs, such as Studio 54, Max's Kansas City, Mercer Arts Center, ABC No Rio, and CBGB, reached iconic statuses in the United States and the world.
Pacheco also produced music for feature films. The first film he worked on was the 1972 documentary Our Latin Thing; this was also the first film about the influence of salsa on Latino culture in New York City. His second film Salsa released in 1974. In the 1980s, he composed the scores for Mondo New York and Something Wild.
MioSotis made her live debut as a solo artist on February 26, 1995 with her five-piece R&B band at the Honeysuckle West club in New York City. She began recording and producing her first solo album, Hazme Soñar (Make me dream), while still an undergraduate student at the City University of New York (CUNY) Queens College. The eclectic debut ...