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"I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as the "rhythm changes", is the foundation for many other popular jazz tunes such as Charlie Parker's and Dizzy Gillespie's bebop standard "Anthropology (Thrivin' on a Riff)".
"I Got Rhythm" is a cover version of the song by George and Ira Gershwin, featuring Oldfield's arrangement from the jaunty original into a Broadway-style ballad with harmonised vocals from Roberts and orchestration, mostly performed on keyboards. [citation needed]
June Christy – for June's Got Rhythm recorded in 1958 [9] Lester Young with Roy Eldridge and Harry "Sweets" Edison – Laughin' to Keep from Cryin' (1958) [6] Frank Sinatra for his 1954 album Songs for Young Lovers and for his 1962 album Sinatra and Swingin' Brass
Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 –II 7 ...
Variations on "I Got Rhythm" is a set of variations for orchestra and piano solo composed by George Gershwin in 1933–34. The piece is dedicated "to [his] brother Ira". Gershwin composed the new piece for his forthcoming concert tour with the Leo Reisman Orchestra, as an alternative to his Rhapsody in Blue and Concerto in F.
The song's I-vi-ii-V7 chord progression has been used in countless jazz compositions, and is commonly known as "rhythm changes". [20] George Gershwin's last concert composition, Variations on "I Got Rhythm" was based on this song. [21] "Lazy River", [4] [22] a song by Hoagy Carmichael and Sidney Arodin, [23] was a hit for the Mills Brothers in ...
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Initially, "Someone to Watch Over Me" was written by George Gershwin for the musical Oh, Kay! as a "fast and jazzy" up-tempo rhythm tune [8] [9] – marked scherzando (playful) in the sheet music [7] – but in the 1930s and 1940s it was recorded by singers in a slower ballad form, which became the standard.