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"I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression , known as the " rhythm changes ", is the foundation for many other popular jazz tunes such as Charlie Parker 's and Dizzy Gillespie 's bebop standard "Anthropology (Thrivin' on a Riff)" .
Variations on "I Got Rhythm" is a set of variations for orchestra and piano solo composed by George Gershwin in 1933–34. The piece is dedicated "to [his] brother Ira". Gershwin composed the new piece for his forthcoming concert tour with the Leo Reisman Orchestra, as an alternative to his Rhapsody in Blue and Concerto in F.
The term comes from classical music and was first applied to jazz by musicologists in the 1970s and 1980s. ... "Moody's Got Rhythm" [5] James Moody "I Got Rhythm" 1930
Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 –II 7 ...
"I Got Rhythm" and Billy Stewart's "Summertime" also formed Gershwin musical bookends for the same school year, based on the very same Hot 100 peak dates. Disc sales for both "See You in September" and "I Got Rhythm" exceeded one million copies, resulting in R.I.A.A. gold record awards by 1969. [6]
Ethel Merman, in her Broadway debut [1] [2] sang "I Got Rhythm", "Sam and Delilah", and "Boy! What Love Has Done To Me! " and "became an overnight sensation...that launched her fifty year career." [ 3 ] Also of note is the opening night pit orchestra, which was composed of many well-known jazz musicians, including Benny Goodman , Gene Krupa ...
"Oleo" is one of a number of jazz standards to be based on the same chord progression as that employed by George Gershwin's "I Got Rhythm", [3] also known as a musical contrafact. [4] Its melody has "become one of the standard rhythm changes melodies used by jazz musicians". [5]
"Cotton Tail" is a 1940 composition by Duke Ellington. [1] It is based on the rhythm changes from George Gershwin's "I Got Rhythm".The first Ellington recording (4 May 1940) [2] [3] is notable for the driving tenor saxophone solo by Ben Webster.