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One of Crawford's widely influential pieces was a white organdy dress with ruffle adornments. With the use of shoulder pads, the dress made the movement freer, emphasizing the back by removing adornments previously popularized in the 1920s. [14] One of the most stylistically influential films of the 1930s was 1939's Gone with the Wind. The ...
High-fashion shoulder pad shapes would vary with the whims of designers, a sharp-edged pad preferred one season, [279] [280] a more rounded pad preferred another. [ 281 ] [ 282 ] Part of what drove these styles was the increased proliferation of serious working out in the eighties after widespread fitness and health pursuits had emerged in the ...
Joan Crawford (born Lucille Fay LeSueur; March 23, 190? [a] – May 10, 1977) was an American actress. She started her career as a dancer in traveling theatrical ...
Adrian worked with the biggest female stars of the day: Greta Garbo, Norma Shearer, Jeanette MacDonald, Jean Harlow, Katharine Hepburn and Joan Crawford. He designed twenty-eight Crawford films, eighteen Shearer films, and nine Harlow films. He worked with Garbo from 1928, when he arrived, until 1941, when both departed the company. [2]
Tinseltown icons Lucille Ball and Joan Crawford each left their indelible mark in their given sector of the Hollywood realm. But when they came together in an episode of Ball's sitcom, The Lucy ...
While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film starts Joan Crawford in her last film role without dialogue, the film also stars Rod La Rocque, Douglas Fairbanks Jr., and Anita Page.
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MGM remade the story in 1941 as When Ladies Meet, this time starring Joan Crawford, Greer Garson, Robert Taylor, and Herbert Marshall. The cast initially saw Kay Francis play Claire and Harding as Mary before Francis was replaced by Loy and Harding settled on the role of the long-suffering wife.