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The Black sermonic tradition, or Black preaching tradition, is an approach to sermon (or homily) construction and delivery practiced primarily among African Americans in the Black Church. The tradition seeks to preach messages that appeal to both the intellect and the emotive dimensions of humanity.
The cover to the 1927 edition of God's Trombones: Seven Negro Sermons in Verse by James Weldon Johnson, with artwork by Aaron Douglas. God's Trombones: Seven Negro Sermons in Verse is a 1927 book of poems by James Weldon Johnson patterned after traditional African-American religious oratory.
Black theology arose as an affirmation of black Christians in response to critiques from a range of sources, including black Muslims, that claimed Christianity was a "white man's religion", white Christians that saw black churches as inferior, black Marxists that saw religion as an unscientific tool of the oppressor, and black power advocates ...
The preacher was the Rev. Frederick J. Eikerenkoetter 2d—better known as “Reverend Ike”—urging several thousand of his devoted parishioners to think positive thoughts. From the red‐carpeted stage of what was once a Loew's movie palace at 175th Street and Broadway, Reverend Ike evoked giggles from the predominantly black congregation.
The Music of Black Americans: A History (1997) Spencer, Jon Michael. Black hymnody: a hymnological history of the African-American church (1992) Wills, David W. and Richard Newman, eds. Black Apostles at Home and Abroad: Afro-Americans and the Christian Mission from the Revolution to Reconstruction (1982) Woodson, Carter G. (2009) [1928].
The Black church (sometimes termed Black Christianity or African American Christianity) is the faith and body of Christian denominations and congregations in the United States that predominantly minister to, and are also led by African Americans, [1] as well as these churches' collective traditions and members.
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His sermon at Thomas Chapel in Chapeltown, Delaware, in 1784 was the first to be delivered by a black to a white congregation. [3] His sermons called on Methodists to reject slavery and champion the common working man. [4] At the same time, he told his black audiences "that they must be holy", which criticism displeased no small number of them. [9]
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