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The Black sermonic tradition, or Black preaching tradition, is an approach to sermon (or homily) construction and delivery practiced primarily among African Americans in the Black Church. The tradition seeks to preach messages that appeal to both the intellect and the emotive dimensions of humanity.
CONTENTS. SERMON I. THE GOOD SHEPHERD. I am the Good Shepherd. — St. John x. 11 1 SERMON II. THE TRUE SHEEP. I am the Good Shepherd, and know My sheep, and am known of Mine. — St. John x. 14 21 SERMON III. THE GREAT MOTIVE. Whatsoever ye do in word or deed, do all in the name of the Lord Jesus . — Colossians iii. 17 39 SERMON IV.
Digitized by CONTENTS, SERMON I. Christ's love to us our law of life. The love of Christ constraineth us. — 2 Cor v. 14. SERMON II. THE SONS OF GOD. As many as are led by the Spirit of God, they are the sons of God. — Rom viii. 14 27 SERMON III. THE NAME OF JESUS. Thou shalt call His name Jesus. — St. Matt i. 21 44 SERMON IV.
The cover to the 1927 edition of God's Trombones: Seven Negro Sermons in Verse by James Weldon Johnson, with artwork by Aaron Douglas. God's Trombones: Seven Negro Sermons in Verse is a 1927 book of poems by James Weldon Johnson patterned after traditional African-American religious oratory.
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Reverend A. W. Nix (November 30, 1880 – January 10, 1949) was an American preacher who recorded 54 sermons and gospel songs in the late 1920s and early 1930s. He is best remembered for his commercially successful sermon, "Black Diamond Express to Hell."
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