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Traditional animation (or classical animation, cel animation, or hand-drawn animation) is an animation technique in which each frame is drawn by hand. The technique was the dominant form of animation of the 20th century, until there was a shift to computer animation in the industry, such as digital ink and paint and 3D computer animation .
A cel, short for celluloid, is a transparent sheet on which objects are drawn or painted for traditional, hand-drawn animation. Actual celluloid (consisting of cellulose nitrate and camphor) was used during the first half of the 20th century. Since it was flammable and dimensionally unstable, celluloid was largely replaced by cellulose acetate.
Between 1895 and 1920, during the rise of the cinematic industry, several different animation techniques were developed or re-invented, including stop-motion with objects, puppets, clay or cutouts, and drawn or painted animation. Hand-drawn animation, which mostly consisted of a succession of still images painted on cels, was the dominant ...
The touchstone for hand-drawn animation is Miyazaki’s “The Boy and the Heron.” Producer Toshio Suzuki notes the legendary animator may make one more film and if so, it would be in 2D also. ...
Fantasmagorie (also called 'A Fantasy') is a 1908 French animated short film by Émile Cohl. It is one of the earliest examples of traditional (hand-drawn) animation, and considered by film historians to be the first animated cartoon. [1]
One of Japan’s most commercially successful and highly acclaimed animators, Shinkai Makoto has been called a successor to anime titan Miyazaki Hayao. Known for his mix of photo-realistic visuals ...