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A "Fenian" Claddagh ring, without a crown, is a slightly different take on the design but has not achieved the level of popularity of the crowned version. Claddagh rings are relatively popular among the Irish [11] and those of Irish heritage, such as Irish Americans, [18] as cultural symbols and as friendship, engagement, and wedding rings. [19]
A resurgence of Celtic and medieval style Scottish jewellery occurred in the 19th century, [27] as did the popularisation of agate pieces, also known as "pebble jewellery". [28] During this period there was a rise in creation and wear of brooches and bracelets set with Scottish stones due to Queen Victoria's interest in agates, cairngorms ...
Anam Cara is a phrase that refers to the Celtic concept of the "soul friend" in religion and spirituality. The phrase is an anglicization of the Irish word anamchara, anam meaning "soul" and cara meaning "friend". The term was popularized by Irish author John O'Donohue in his 1997 book Anam Ċara: A Book of Celtic Wisdom about
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One very basic form of Celtic or pseudo-Celtic linear knotwork. Stone Celtic crosses, such as this, are a major source of knowledge regarding Celtic knot design. Carpet page from Lindisfarne Gospels, showing knotwork detail. Almost all of the folios of the Book of Kells contain small illuminations like this decorated initial.
The term true lover's knot, also called true love knot or simply love-knot amongst others, is used for many distinct knots. The association of knots with the symbolism of love , friendship and affection dates back to antiquity (although the term itself is attested from the late 1300s). [ 2 ]
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