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Andrea Amati (c. 1505 – 20 December 1577) designed and created the violin, viola and cello known as the "violin family". Based in Cremona, Italy , he standardized the basic form, shape, size, materials and method of construction.
Amati's first violins were smaller than modern violins, with high arches, wide purfling, and elegantly curved scrolls and bodies. [ 13 ] Andrea Amati's two sons, Antonio Amati and Girolamo Amati , were also highly skilled violin makers, as was his grandson Nicolò Amati , who had over a dozen highly regarded apprentices, including Antonio ...
Of all the Amati Family violins, those of Nicola are often considered most suitable for modern playing. As a young man his instruments closely followed the concepts of his father's, with a relatively small model and high arch rising nearly to a ridge in the centre of both the front and back of the instrument.
The violin shows influence from Amati and the model is based on Amati's violins, but the narrow purfling differs from Amati's style. [3] c. 1666 The violin was owned by Eugene Sarbu. [4] Aranyi: 1667 Francis Aranyi (collector) Sold at Sotheby's London, 12 November 1986. [5] Dubois: 1667 Canimex Inc. On display at the Chimei Museum. ex-Captain ...
Heinicke developed into one of the main representatives of violin makers in Bohemia in the first half of the 20th century. [2] After his return in 1897, he set up his own workshop in Wildstein near Eger. Formal and decisive for his instruments were the old masters Stradivari and Amati, after whose models he made his own violins. Heinicke did an ...
A look at one of Vincenzo’s violin, the “Baron Knoop”, from circa 1700 shows that the Vincenzo based this instrument off of the Grand Amati model from the Cremonese school. This violin, like many of Vincenzo's instruments, is made of foreign maple, with an orange-brown transparent varnish with features flatter arches with fuller edges.