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Her 1948 evening dress of printed cotton is described as "an haute-couture interpretation of the wrapped garments traditionally worn by West African women", [4] and a 1949 evening cape. [8] In 1969, Etches donated selected items, and the cotton dress and evening cape were considered by senior V&A officials to be key acquisitions, the first ...
Guo Pei is a renowned Chinese fashion designer whose works have gained widespread acclaim and recognition. Guo Pei's most famous dress is Yellow Empress cape; the dress's remarkable design inspired parallels to omelets, and its creation took two years and over 50,000 hours. [24]
French fashion plate shows an evening cape or manteau with a fur collar and shoulder cape, worn over dark formal breeches and double-breasted coat, 1823. V. A. Perovsky wears trousers with foot straps and embroidered suspenders, white shirt and a sun hat, 1824.
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A cotton dress from c. 1865. Heavy silks in solid colors became fashionable for both day and evening wear, and a skirt might be made with two bodices, one long-sleeved and high necked for afternoon wear and one short-sleeved and low-necked for evening. The bodices themselves were often triangular, and featured a two-piece front with a closure ...
Day dresses had fitted bodices and full skirts, with jewel or low-cut necklines or Peter Pan collars. Shirtdresses, with a shirt-like bodice, were popular, as were halter-top sundresses. Skirts were narrow or very full, held out with petticoats; poodle skirts were a brief fad. Evening dresses were ankle-length (called "ballerina length").