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Shiva, Chola bronze, 12th-century Chinese wooden Guanyin in "royal ease" pose, Song dynasty Lalitasana is a pose or mudra in Indian art and the art of dharmic religions in other countries. It is often called "the royal position" or " royal ease " in English, and is a relaxed pose typical in royal portraits and those of religious figures whose ...
All of the poses have been confined to a few well-defined postures. These are not free from monotonous repetitions, though at times this is necessary to accentuate the narrative character of the style. The lines are bold and clean and angular and sharp. Generally, there are no landscapes, perspectives, and distant views.
Malay children wearing traditional dresses during Hari Raya.. Pakaian (Jawi: ڤاکاين) is the term for clothing in Malaysia's national language.It is referring to things to wear such as shirts, pants, shoes etc. [1] Since Malaysia is a multicultural nation: Malay, Chinese, Indian and hundreds of other indigenous groups of Malay Peninsula and Borneo, each has its own traditional and ...
A sari (sometimes also saree [1] or sadi) [note 1] is a drape (cloth) [2] and a women's garment in the Indian subcontinent. [3] It consists of an un-stitched stretch of woven fabric arranged over the body as a dress, with one end attached to the waist, while the other end rests over one shoulder as a stole, [4] [5] sometimes baring a part of the midriff.
A single asana is listed for each main pose, whether or not there are variations. Thus for Sirsasana (Yoga headstand), only one pose is illustrated, although the pose can be varied by moving the legs apart sideways or front-and-back, by lowering one leg to the floor, by folding the legs into lotus posture, by turning the hips to one side, by placing the hands differently on the ground, and so on.
The designs used in Kasuti reflect traditional patterns like palanquins, elephants and lotuses which are embroidered onto Ilkal saris. These saris are usually 9 yards in length and the pallu of the Ilkal sari (the part worn over the shoulder) carries designs of temple towers. [2] This pallu is usually made of red silk with white patterns. [3]
Toyotomi Hideyoshi sitting in agura position. In Japan, this posture is considered an informal alternative to the seiza (proper sitting) position, though it is generally considered unfeminine and uncouth for women if sitting in skirts or certain types of traditional clothing, such as the kimono (mostly due to where the opening is in a premodern kimono, and the fact that women seldom wore ...
The trend of exposing the navel was started by women who were dancers, acrobats, or entertainers, and who developed a technique of wearing the sari like a pair of trousers well below the navel to assist in the free movement of the legs. [117] Women in this type of attire are very common in many ancient Indian sculptures, [118] and paintings. [119]