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The style of stucco decoration around the mihrab, for example, is reminiscent of Iranian stucco work in the style of Tabriz under the contemporary Ilkhanids. [ 15 ] : 154–155 [ 16 ] : 226 The lavish stucco decoration of the madrasa's minaret, on the other hand, appears to involve contemporary Maghrebi styles and craftsmanship alongside local ...
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In 2013 the Istanbul Center of Design and the Ensar Foundation ran what they claimed was the first ever symposium of Islamic Arts and Geometric Patterns, in Istanbul. The panel included the experts on Islamic geometric pattern Carol Bier, [g] Jay Bonner, [h] [66] Eric Broug, [i] Hacali Necefoğlu [j] and Reza Sarhangi.
It became a dominant design element in the 11th and 12th centuries, as in the carved stucco panels with interlaced girih of the Kharraqan towers (1067) near Qazvin, Iran. [2] [14] Stylized plant decorations were sometimes co-ordinated with girih. [15] After the Safavid period, the use of girih continued in the Seljuq dynasty and the Ilkhanate.
It is an archetypal form of Islamic architecture, integral to the vernacular of Islamic buildings, [2] [3] and typically featured in domes and vaults, as well as iwans, entrance portals, or other niches. [3] It is sometimes referred to as "honeycomb vaulting" [4] or "stalactite vaulting". [1] The muqarnas structure originated from the squinch ...
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...