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The sculpture’s inspiration and name come from the Bible passage Isaiah 58:6 “Is not this the kind of fasting I have chosen: to loose the chains of injustice and untie the cords of the yoke, to set the oppressed free and break every yoke?” [5]
But Isaiah 58:6–10 goes on to impress that "to afflict the soul," God also seeks acts of social justice: "to loose the fetters of wickedness, to undo the bands of the yoke," "to let the oppressed go free," "to give your bread to the hungry, and . . . bring the poor that are cast out to your house," and "when you see the naked, that you cover ...
But Isaiah 58:6–10 goes on to impress that "to afflict the soul," God also seeks acts of social justice: "to loose the fetters of wickedness, to undo the bands of the yoke," "to let the oppressed go free," "to give your bread to the hungry, and . . . bring the poor that are cast out to your house," and "when you see the naked, that you cover ...
But Isaiah 58:6–10 goes on to impress that "to afflict the soul," God also seeks acts of social justice: "to loose the fetters of wickedness, to undo the bands of the yoke," "to let the oppressed go free," "to give your bread to the hungry, and . . . bring the poor that are cast out to your house," and "when you see the naked, that you cover ...
Go Down Moses" is an African American spiritual that describes the Hebrew Exodus, specifically drawing from the Book of Exodus 5:1, in which God commands Moses to demand the release of the Israelites from bondage in Egypt. "And the LORD spoke unto Moses, Go unto Pharaoh, and say unto him, Thus saith the LORD, Let my people go, that they may ...
"Lift Every Voice and Sing," often referred to as the Black national anthem, will be performed at the Super Bowl for the fourth time in a row, the latest legacy of the traditional song. Andra Day ...
The song alludes to, and explicitly states, the lack of freedom experienced by African Americans, and of their servitude to masters who controlled them. It highlights the dangers they were willing to face in order to escape enslavement, including death. Every stanza ends with a reference to Canada as the land "where colored men are free".
The song was originally written and performed by Will Reagan and the United Pursuit Band in 2009. The song was later covered by Jesus Culture in 2011. However, Cobbs' interpretation of the song is the first commercially successful and accepted within the gospel community, of the trio.