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List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
C minor is a minor scale based on C, ... Tonic – C minor; Supertonic – D diminished; ... Piano Trio in C minor, MWV Q3;
The half diminished scale is a seven-note musical scale. It is more commonly known as the Locrian ♯ 2 scale [1] or the Aeolian ♭ 5 scale, names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). It is the sixth mode of the ascending melodic minor scale.
The "Song of the Soviet Army", [a] also known as the "Song of the Russian Army" [b] or by the refrain's opening line "Invincible and Legendary", [c] is a Soviet patriotic song written during the end of World War II. Its performance has been done by numerous artists, especially by the Alexandrov Ensemble.
The Nashville Number System – Site for the book Song Charting Made Easy: a Play-along Guide to the Nashville Number System by Jim Riley, with a preview including charts and play-along music tracks; The Number Song – a chart with (auto-playing) audio explanation and playthrough by Jimi Whitelaw, Chip Hardy, Rod Lewis, and Tim Grogan of ...
Dominant seventh chord normally paired with mixolydian scale, [5] the fifth mode of the major scale. The scales commonly used today consist of the seven modes of the diatonic scale, the seven modes of the melodic minor scale, the diminished scales, the whole-tone scale, and pentatonic and bebop scales. [7]
For example, in music based on the pentatonic scale containing pitches C, D, E, G, and A, modulating a fifth higher gives the collection of pitches G, A, B, D, and E, having four of five tones in common. However, modulating up a tritone would produce F ♯, G ♯, A ♯, C ♯, D ♯, which shares no common tones with the original scale. Thus ...
Messiaen's mode 2, or the diminished scale, consists of semitone, tone, semitone, tone, semitone, tone, semitone, tone, which can only be arranged 2 ways, starting with either a tone or a semitone. Therefore, mode 2 has two modes. Any scale having the same number of modes as notes is not a mode of limited transposition.