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Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting.
Gothic fiction (sometimes referred to as Gothic horror or Gothic romanticism) is a genre of literature that combines elements of both horror fiction and romanticism
American gothic fiction is a subgenre of gothic fiction. Elements specific to American Gothic include: rationality versus the irrational , puritanism , guilt , the uncanny ( das unheimliche ), ab-humans , ghosts , and monsters .
Morrison, The Gothic Library writes, "is one of the few to successfully take a genre rooted in eighteenth-century Europe and make it fully modern and American. She avoids the pitfall that many ...
The themes and concepts of Monster Literature are rooted in 18th century Gothic literature. The earliest examples of Gothic literature can be traced all the way back to English author Horace Walpole's novel The Castle of Otranto (1764). [1] However, monster literature first emerged in the 19th century with the release of Mary Shelley's ...
Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Gothic literature is a genre of fiction that combines romance and dark elements to produce mystery, suspense, terror, horror and the supernatural. According to David H. Richter, settings ...
From the twentieth century urban Gothic helped to spawn other sub-genres, including Southern Gothic, using the Southern United States as a location, [9] and later Suburban Gothic, which shifted the focus from the urban centre to the residential periphery of modern society. [10] Since the 1980s Gothic horror fiction and urban Gothic in ...
Modern scholarship on horror fiction draws upon a range of sources. In their historical studies of the gothic novel, both Devendra Varma [45] and S. L. Varnado [46] make reference to the theologian Rudolf Otto, whose concept of the "numinous" was originally used to describe religious experience. A recent survey reports how often horror media is ...