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The music was attributed to "W. M.". According to some websites, [4] the hymn is by the nineteenth-century Wilfrid Moreau from Poitiers. "Angels We Have Heard on High" was an 1862 paraphrase by James Chadwick [citation needed], the Roman Catholic Bishop of Hexham and Newcastle, in the north-east of England. Chadwick's lyrics are original in ...
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Translated into English as "Angels We Have Heard on High" "Çà, bergers, assemblons-nous" music 15th/16th century; published 1701 with words by Simon-Joseph Pellegrin: Title translation: "Here, shepherds, let us gather". Adapted from "Où s'en vont ces gais bergers". "Cantate de Noël" / "Pour sauver l'humanité"
Ludwig van Beethoven: . Serenade for flute, violin and viola in D major, Op. 25; Trio for piano, flute, and bassoon in G major, WoO 37; Pierre Boulez: …explosante-fixe…, various configurations with flute and other instruments (1971–72, 1973–74, 1985, 1991–93)
The free paraphrase "Ich lobe meinen Gott, der aus der Tiefe mich holt" became a 1979 hymn of the genre Neues Geistliches Lied, similarly "Ich lobe meinen Gott von ganzem Herzen" the same year. The popular Christmas carol "Angels We Have Heard on High" is derived from the beginning of the Gloria, which it uses as a refrain. It has been ...
A variation of this tune, "Gloria", is used for the American carol Angels We Have Heard on High. Sometimes the original "Gloria in excelsis Deo" refrain from the French carol is sung in place of Montgomery's lyric: "Come and worship Christ the new-born King". In the United States, "Regent Square" is the most common tune for this carol. [1]
Variations, My days have been so wondrous free; My days have been so wondrous free is written by Francis Hopkinson, to a poem by Thomas Parnell. Caprice (1999) [133] fl gtr LCCN [134] WorldCat [135] (00:04:00) Flute and guitar mixed duet. Commissioned by Red Cedar Chamber Music. [136]
An Old-Fashioned Christmas is the second Christmas album and twelfth studio album by the American music duo Carpenters, released on October 26, 1984. It is also second posthumous release after the death of singer and drummer Karen Carpenter in 1983.