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A combination of pen spinning tricks. Pen spinning is a form of object manipulation that involves the deft manipulation of a writing instrument with hands. Although it is often considered a form of self-entertainment (usually in a school or office setting), multinational competitions and meetings are sometimes held. [1]
The oldest known account of levitation play comes from the diary of Samuel Pepys (1633–1703), a British naval administrator. Pepys’s account of levitation play comes from a conversation with a friend of his, Mr. Brisband, who claimed to have seen four little girls playing light as a feather, stiff as a board in Bordeaux, France.
This article contains a list of magic tricks. In magic literature, tricks are often called effects . Based on published literature and marketed effects, there are millions of effects; a short performance routine by a single magician may contain dozens of such effects.
Writers of the Decadent movement used the slogan "Art for Art's Sake" (L'art pour l'art), the origin of which is debated. Some claim that it was created by the philosopher Victor Cousin , although Angela Leighton notes that it was used by Benjamin Constant as early as 1804 in the work On Form: Poetry, Aestheticism and the Legacy of a Word (2007 ...
Copperfield then descends into a glass box, which is covered with a lid, and continues to float inside it. The method was created by John Gaughan, [6] [7] who described how the trick works in US Patent #5,354,238. [6] [7] The illusion utilises a series of wires controlled by a complex computer-controlled rig above the stage. In the glass box ...
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
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Ceiling of the Treasure Room of the Archaeological Museum of Ferrara, Italy, painted in 1503–1506. Trompe-l'œil (French for 'deceive the eye'; / t r ɒ m p ˈ l ɔɪ / tromp-LOY; French: [tʁɔ̃p lœj] ⓘ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface.