Search results
Results From The WOW.Com Content Network
4 A thousand ages in thy sight Are like an evening gone, Short as the watch that ends the night Before the rising sun. 5 Time, like an ever-rolling stream, Bears all its sons away; They fly forgotten, as a dream Dies at the opening day. 6 O God, our help in ages past, Our hope for years to come, Be thou our guard while troubles last, And our ...
Shout to the Lord (3) 6 Stone's Been Rolled Away (1) 10 The Platinum Collection Volume 1: Shout to the Lord (3) 12 (CD 1) The Platinum Collection Volume 2: Shout to the Lord 2 (5) 11 (CD 2) Best Friend (5) 9 Jesus, Our Lord Jesus: Russell Fragar: Overwhelmed: 6 Jesus the Same: Raymond Badham: For All You've Done: 2 (CD 2) Jesus, What a ...
Lord I lift your name on high. Founds performed the song as a worship leader in his church. It was picked up by Maranatha! Music and initially recorded by the Maranatha! Singers followed by the Praise Band. Promise Keepers performed the song in English and Spanish in their drives. Since the 1990s, it has been one of the most popular Christian ...
The song’s lyrics mention the city of Berlin, where Bowie had his creative renaissance in the late 1970s, and how much the city changed over the years, serving as a metaphor for how much he changed as well. Scottish rock band Big Country released the song "Harvest Home" on their 1983 debut album The Crossing.
According to E. J. Fasham, a more likely inspiration for the text is a 1673 sermon by Daniel Brevint (who had been the Dean of Durham Cathedral). This sermon had been partially quoted in the preface to Charles Wesley's Hymns of the Lord's Supper (1745), which was in common use amongst a number of ministers of the period. The similarity between ...
Let us with a gladsome mind is a hymn written in 1623 by John Milton, a pupil at St. Paul's School, [1] at the age of 15 as a paraphrase of Psalm 136. It was set to music as the hymn tune known as Monkland by the organist John Bernard Wilkes using a melody written by John Antes .
The song generally follows a seven-bar or an eight-bar blues arrangement and has been compared to "Sitting on Top of the World". [10] McDowell uses lyrics closer to Davis' 1962 rendition, [10] but adds a haunting slide guitar line that doubles the vocal. [11] A verse from the song is inscribed on his headstone: [12]
Released as a single in early 1969, Laine's version of the song was a hit single for the 55-year-old singer on U.S. singles charts. It peaked at #24 on the Billboard Hot 100 chart in March of that year, remaining in the Top 40 for seven weeks, [2] and was the final Top 40 hit of Laine's long career.