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Lower quality (inexpensive) bows often use nylon or synthetic hair, and some use bleached horse hair to give the appearance of higher quality. Rosin, or colophony, a hard, sticky substance made from resin (sometimes mixed with wax), is regularly applied to the bow hair to increase friction. In making a wooden bow, the greater part of the ...
The bow frog is the end part of a stringed musical instrument's bow that encloses the mechanism responsible for tightening and holding the bow hair ribbon. Most of the bow frogs used in today's classical bows are made of ebony; some synthetic bows have frogs made with materials that imitate ebony, while Baroque bows use frogs made with various ...
A bow maker typically uses between 150 and 200 hairs from the tail of a horse for a violin bow. Bows for other members of the violin family typically have a wider ribbon, using more hairs. White hair generally produces a smoother sound and black hair (used mainly for double bass bows) is coarser, producing a rougher sound. Lower quality ...
Bow hair traditionally comes from the tail of a grey male horse (which has predominantly white hair). Some cheaper bows use synthetic fiber. Some cheaper bows use synthetic fiber. Solid rosin is rubbed onto the hair, to render it slightly sticky; when the bow is drawn across a string, the friction between them makes the string vibrate.
A Galliane is a bow frog for stringed instrument bows that sets the hair ribbon at an angle. [1] This kind of frog was first described in Scientific American in October 2012. It was invented by bow maker Benoît Rolland for violin , viola , cello , and double bass bows.
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The frog of a cello bow typically has a rounded corner like that of a viola bow, but is wider. A cello bow is roughly 10 g (0.35 oz) heavier than a viola bow, which in turn is roughly 10 g (0.35 oz) heavier than a violin bow. Bow hair is traditionally horsehair, though synthetic hair, in varying colors, is also used. Prior to playing, the ...
In typically consistent rhythms (of quavers or semiquavers, or quicker repeated sounds), the bow is held in a more relaxed manner and allowed to bounce, resulting in a series of short, distinct notes. This occurs because of the elasticity of the string and the natural springiness of the bow. The ability to create the effect is largely tempo ...