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For synchronised sound, the sound was specified as 56 frames in advance of the picture. On the Cinephonic Eight cameras, the picture/sound separation was 52 frames. Fifty six frames was the same physical distance as magnetic sound was specified for the 16 mm film format (or 28 frames in that format).
The sound to picture separation was the same dimensionally as 16 mm film, and as that format is 28 frames, that meant that the Double-8 system was 56 frames. The proximity of the sound stripe to the perforations caused some problems in keeping the film in close contact with the sound head. There was never an optical system.
Stambler was nominated for five in a row for the Academy Award and won with Ghost and the Darkness (1995) for Best Sound Effects Editing. [ 3 ] [ 4 ] [ 5 ] He also won a BAFTA for The Fugitive (1993), an Emmy Award for Miami Vice (1984) and a Golden Reel Award shared with Leveque for Under Siege (1992).
Because most individuals in the United States owning projectors did not have one equipped with sound, vintage silent films were particularly well-suited for the market. A number of feature films were released in full-length versions by companies such as Blackhawk from the 1960s until the market essentially evaporated in the early 1980s with the ...
Freesound is a collaborative repository of Creative Commons licensed audio samples, and non-profit organisation, with more than 500,000 sounds and effects (as of May 2021), [1] and 8 million registered users (as of March 2019). Sounds are uploaded to the website by its users, and cover a wide range of subjects, from field recordings to ...