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Dialogue is usually identified by the use of quotation marks and a dialogue tag, such as 'she said'. [5] "This breakfast is making me sick," George said. 'George said' is the dialogue tag, [6] which is also known as an identifier, an attributive, [7] a speaker attribution, [8] a speech attribution, [9] a dialogue tag, and a tag line. [10]
Valla chronicles a fictional dialogue between two protagonists and through their conversation, expresses his own ideas on the issue. The first of the two main characters is Antonio Glarea, an educated man who Valla identifies as being from San Lorenzo.
In the 1200s, Nichiren Daishonin wrote some of his important writings in dialogue form, describing a meeting between two characters in order to present his argument and theory, such as in "Conversation between a Sage and an Unenlightened Man" (The Writings of Nichiren Daishonin 1: pp. 99–140, dated around 1256), and "On Establishing the ...
Stichomythia (Ancient Greek: στιχομυθία, romanized: stikhomuthía) is a technique in verse drama in which sequences of single alternating lines, or half-lines (hemistichomythia [1]) or two-line speeches (distichomythia [2]) are given to alternating characters. It typically features repetition and antithesis. [3]
Emails sent on a single day, between the hours of 9 a.m. and 5 p.m. Lucas, Tim: The Book of Renfield: 2005 Diary entries, dialogue transcriptions A book about the character of Renfield from Dracula and thus mimics the format of the novel. Excerpts from Bram Stoker's novel are integrated into the plot
This is a complex template designed to make it easy to write out lines of dialogue. This template cannot be subst:'d. The template can handle most standard formats of writing dialogue, and can be indented, bulleted or numbered. {} facilitates the writing of dialogue in a standard format.
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Galilei's Dialogue Concerning the Two Chief World Systems compares the Copernican model of the universe with the Aristotelian. Matteo Ricci. Ricci's The True Meaning of the Lord of Heaven (天主實義) is a Socratic dialogue between Ricci and a Chinese scholar, where Ricci argues that Christianity and Confucianism are not opposed to each other.