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In the 1200s, Nichiren Daishonin wrote some of his important writings in dialogue form, describing a meeting between two characters in order to present his argument and theory, such as in "Conversation between a Sage and an Unenlightened Man" (The Writings of Nichiren Daishonin 1: pp. 99–140, dated around 1256), and "On Establishing the ...
Dialogue is usually identified by the use of quotation marks and a dialogue tag, such as 'she said'. [5] "This breakfast is making me sick," George said. 'George said' is the dialogue tag, [6] which is also known as an identifier, an attributive, [7] a speaker attribution, [8] a speech attribution, [9] a dialogue tag, and a tag line. [10]
Valla chronicles a fictional dialogue between two protagonists and through their conversation, expresses his own ideas on the issue. The first of the two main characters is Antonio Glarea, an educated man who Valla identifies as being from San Lorenzo.
The dialogue between the two people is also reflected musically, with Kath's guitar and Cetera's bass feeding off each other. As Part I comes to a close, Kath's character thanks the other character for the talk, saying "you know you really eased my mind/I was troubled by the shapes of things to come."
Stichomythia (Ancient Greek: στιχομυθία, romanized: stikhomuthía) is a technique in verse drama in which sequences of single alternating lines, or half-lines (hemistichomythia [1]) or two-line speeches (distichomythia [2]) are given to alternating characters. It typically features repetition and antithesis. [3]
The Symposium is a dialogue—a form used by Plato in more than 30 works. However, unlike in many of his other works, most of it is a series of speeches from different characters.
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The Phaedrus (/ ˈ f iː d r ə s /; Ancient Greek: Φαῖδρος, romanized: Phaidros), written by Plato, is a dialogue between Socrates and Phaedrus, an interlocutor in several dialogues. The Phaedrus was presumably composed around 370 BC, about the same time as Plato's Republic and Symposium . [ 1 ]