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The heritage of Norwegian knitting has been preserved, documented and translated into English language history, and pattern books, that are available to modern knitters, mostly notably by the author Annemor Sundbø. The yarn factory Rauma Ullvarefabrikk has also released a substantial number of Norwegian knitting patterns translated into English.
The lusekofte (Norwegian: [ˈlʉ̀ːsəˌkɔftə], lice jacket), also called the Setesdalsgenser (Setesdal sweater) is a traditional Norwegian sweater, dating from the 19th century. The original sweater features a black and white design, the name referring to the isolated black stitches. [1] They may also feature selburose designs.
Norwegian girls were taught to knit the pattern, as a pair of selbuvotter became the traditional gift of a girl to her fiancé and his friends. The home industry of Selbu mitten knitting helped make Norwegian farming life economically feasible and gave women a measure of economic independence. [ 1 ]
The origin of the sweater has been subject to dispute in media. Designer Unn Søiland Dale [] said she designed the pattern in 1953, influenced by traditional Norwegian knitting patterns found in the 1929 book Norske Strikkemønstre (Norwegian knitting patterns) by Annichen Sibbern.
Girl from Dalecarlia knitting. Cabbage Margit (Stickande kulla. Kål-Margit) by Anders Zorn (1901) portraits a woman from Dalarna knitting in this technique. Twined knitting (also known as two-end knitting) is a traditional Scandinavian knitting technique. It refers to knitting where two strands of yarn are knitted into the fabric alternatively ...
Nålebound socks from Egypt (300–500 AD) Mittens done in "nålebinding" Swedish nålebinding mittens, late 19th century. Nålebinding (Danish and Norwegian: literally 'binding with a needle' or 'needle-binding', also naalbinding, nålbinding, nålbindning, or naalebinding) is a fabric creation technique predating both knitting and crochet.
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In the period between 1650-1850 Hardangersom (meaning: work from Hardanger area) flourished in Norway.Flax was grown, carded, spun and woven into white fabric and thread which was used to make and decorate traditional Norwegian costume items called bunads (national costumes) as well as other items of clothing and household linens such as mats, curtains and bedspreads.