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  2. 1930–1945 in Western fashion - Wikipedia

    en.wikipedia.org/wiki/1930–1945_in_Western_fashion

    Newspaper advertisement for women's dresses, Paris Dress Shoppe, Allentown PA, 1930. Summer fashion, 1930. Woman's dress, 1931. A collection of swimwear, Ladies Home Journal, 1932. Dutch actress Cissy van Bennekom and model Eva Waldschmidt, 1932. Workers leaving the factory, Buenos Aires, 1933. Models wearing evening dresses by Jeanne Lanvin, 1933.

  3. Cheongsam - Wikipedia

    en.wikipedia.org/wiki/Cheongsam

    Cheongsam (UK: / tʃ (i) ɒ ŋ ˈ s æ m /, US: / tʃ ɔː ŋ ˈ s ɑː m /) or zansae, also known as the qipao (/ ˈ tʃ iː p aʊ /) and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the qizhuang, the ethnic clothing of the Manchu people.

  4. Evening gown - Wikipedia

    en.wikipedia.org/wiki/Evening_gown

    Rich silk weaves, such as satin, taffeta, and velvet created luxurious gowns. In the 18th century, formal dress started as the mantua, but later developed into the elaborate sack-back gown. The farthingale, popular during the 16th/17th centuries, evolved into the pannier to give dresses and skirts extra volume and the desired court silhouette.

  5. Backless dress - Wikipedia

    en.wikipedia.org/wiki/Backless_dress

    A backless dress is a style of women's clothing designed to expose the wearer's back. The back may be either partially exposed with a low cut or fully exposed with the use of strings. A backless dress is most commonly worn on formal occasions or as evening wear or as wedding dresses and can be of any length, from a miniskirt-length

  6. Category:1930s fashion - Wikipedia

    en.wikipedia.org/wiki/Category:1930s_fashion

    Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more

  7. Crinoline - Wikipedia

    en.wikipedia.org/wiki/Crinoline

    In the late 1930s, just before the outbreak of World War II, there was a revival of the hooped crinoline from designers such as Edward Molyneux, who put hoops in both day skirts and evening gowns, [59] and Norman Hartnell, whose late 1930s Winterhalter-inspired crinoline designs for Queen Elizabeth The Queen Mother were so successful that the ...

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