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The warrior would thus ascend one step in the hierarchy of the Aztec social classes, a system that rewarded successful warriors. [ 22 ] During the festival of Panquetzaliztli, of which Huitzilopochtli was the patron, sacrificial victims were adorned in the manner of Huitzilopochtli's costume and blue body paint, before their hearts would be ...
Black is the foremost color associated with Tezcatlipoca, not only because of his role as a god of nighttime and darkness, but to differentiate him from the other three so-called Tezcatlipocas (Quetzalcoatl, Huitzilopoctli, and Xipe-Totec) and their respective colors (white, blue, and red). [6]
Ītzpāpalōtl [a] ("Obsidian Butterfly") was a goddess in Aztec religion.. She was a striking skeletal warrior and death goddess and the queen of the Tzitzimimeh.She ruled over the paradise world of Tamōhuānchān, the paradise of victims of infant mortality and the place identified as where humans were created.
Huitzilopochtli, "hummingbird's south" or "hummingbird's left"; Aztec god of the sun and war who was often depicted as either a hummingbird or an eagle. Iris (mythology) was said to have golden wings, [16] [17] with "golden-winged" being one of her epithets, and was often depicted in art as having wings. [18]
Gold-silver-copper alloy figure of an Aztec warrior, who holds a dartthrower, darts, and a shield. Aztec warfare concerns the aspects associated with the military conventions, forces, weaponry and strategic expansions conducted by the Late Postclassic Aztec civilizations of Mesoamerica, including particularly the military history of the Aztec Triple Alliance involving the city-states of ...
Jaguar warriors were used at the battlefront in military campaigns. They were also used to capture prisoners for sacrifice to the Aztec gods. [2] Many statues and images (in pre-Columbian and post-Columbian codices) of these warriors have survived. [5] They fought with a wooden club, studded with obsidian volcanic glass blades, called a macuahuitl.
"The Mexica formed an art that would help to integrate their realm ideologically, and that would simultaneously serve to affirm the Mexica as legitimate successors to the great nations of the past." [19] Townsend explores the dichotomy between continuity and disjunction by comparing Aztec warrior figures to Toltec Atlantean figures.
By the reign of the Aztec ruler Ahuizotl, richer feathers from tropical areas came to the Aztec Empire with quetzal and the finest feathers used by Moctezuma's reign. [5] Feathers were used for ceremonial shields, and the garments of Aztec eagle warriors were completely covered in feathers. Feather work dressed idols and priests as well. [11]