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Black is the foremost color associated with Tezcatlipoca, not only because of his role as a god of nighttime and darkness, but to differentiate him from the other three so-called Tezcatlipocas (Quetzalcoatl, Huitzilopoctli, and Xipe-Totec) and their respective colors (white, blue, and red). [6]
Quilaztli, aztec patron of midwives. Quilaztli is also known as Cōhuācihuātl (serpent woman), Cuāuhcihuātl (eagle woman) or Ocēlōcihuātl (jaguar woman), Pāpalōcihuātl (butterfly woman), Cihuāyāōtl (warrior woman), and Tzitzimīncihuātl (devil woman). These are individual honorary classes for women.
Eagle warriors or eagle knights (Classical Nahuatl: cuāuhtli [ˈkʷaːʍtɬi] (singular) [1] or cuāuhmeh [ˈkʷaːʍmeʔ] [1]) were a special class of infantry soldier in the Aztec army, one of the two leading military special forces orders in Aztec society, the other being the Jaguar warriors. They were a type of Aztec warrior called a ...
A Xicalcoliuhqui Chīmalli Aztec warriors as depicted in the Codex Mendoza, each one wielding a shield (chīmalli) Shield belonging to the Aztec king Ahuitzotl currently Museum of Ethnology, Vienna, Austria. Ceremonial shield (māhuizzoh chimalli) with mosaic decoration. Aztec or Mixtec, AD 1400–1521. In the British Museum
The warrior would thus ascend one step in the hierarchy of the Aztec social classes, a system that rewarded successful warriors. [ 22 ] During the festival of Panquetzaliztli, of which Huitzilopochtli was the patron, sacrificial victims were adorned in the manner of Huitzilopochtli's costume and blue body paint, before their hearts would be ...
By the reign of the Aztec ruler Ahuizotl, richer feathers from tropical areas came to the Aztec Empire with quetzal and the finest feathers used by Moctezuma's reign. [5] Feathers were used for ceremonial shields, and the garments of Aztec eagle warriors were completely covered in feathers. Feather work dressed idols and priests as well. [11]
Gold-silver-copper alloy figure of an Aztec warrior, who holds a dartthrower, darts, and a shield. Aztec warfare concerns the aspects associated with the military conventions, forces, weaponry and strategic expansions conducted by the Late Postclassic Aztec civilizations of Mesoamerica, including particularly the military history of the Aztec Triple Alliance involving the city-states of ...
"The Mexica formed an art that would help to integrate their realm ideologically, and that would simultaneously serve to affirm the Mexica as legitimate successors to the great nations of the past." [19] Townsend explores the dichotomy between continuity and disjunction by comparing Aztec warrior figures to Toltec Atlantean figures.