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Chinese calligraphy and ink and wash painting are closely related: they are accomplished using similar tools and techniques, and have a long history of shared artistry. Distinguishing features of Chinese painting and calligraphy include an emphasis on motion charged with dynamic life.
Shu (書) refers to Chinese calligraphy, which dates to the origins of recorded Chinese history, in essence ever since written characters have existed. Chinese calligraphy is said to be an expression of a practitioner's poetic nature, as well as a significant test of manual dexterity. Chinese calligraphy has evolved for thousands of years, and ...
Chinese calligraphy of mixed styles by Song poet Mi Fu (1051–1107) Calligraphy was traditionally one of the four arts to be mastered by Chinese scholars, considered to be an artful means of expressing thoughts and teachings. Chinese calligraphy typically makes use of an ink brush to write characters.
The First National Congress of the Chinese Calligraphers' Association convened in the Great Hall of the People in Beijing from May 5 to May 9, 1981. Shu Tong was appointed as the inaugural president of the Chinese Calligraphers Association. [3] It comprises 16 professional committees.
Inksticks (Chinese: 墨; pinyin: mò ⓘ) or ink cakes are a type of solid Chinese ink used traditionally in several Chinese and East Asian art forms such as calligraphy and brush painting. Inksticks are made mainly of soot and animal glue, sometimes with incense or medicinal scents added.
Cursive script (Chinese: 草書, 草书, cǎoshū; Japanese: 草書体, sōshotai; Korean: 초서, choseo; Vietnamese: thảo thư), often referred to as grass script, is a script style used in Chinese and East Asian calligraphy. It is an umbrella term for the cursive variants of the clerical script and the regular script. [1]
Edomoji comprises a large family of calligraphic styles native to Japan, named for the Edo period in Japanese history when they were created. Examples include 'sumo letters' (sumōmoji) used to write sumo wrestling posters, kanteiryū used for kabuki, and higemoji. These styles are typically not taught in Japanese calligraphy schools.
Japanese and Korean calligraphy were each greatly influenced by Chinese calligraphy. Calligraphy has influenced most major art styles in East Asia, including ink and wash painting , a style of Chinese , Japanese , and Korean painting based entirely on calligraphy and which uses similar tools and techniques.