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The "Bridal Chorus" (German: "Treulich geführt") from the 1850 opera Lohengrin by German composer Richard Wagner, who also wrote the libretto, is a march played for the bride's entrance at many formal weddings throughout the Western world.
Music can be used to announce the arrival of the participants of the wedding (such as a bride's processional), and in many western cultures, this takes the form of a wedding march. For more than a century, the Bridal Chorus from Wagner's Lohengrin (1850), often called "Here Comes The Bride", has been the most popular processional, and is ...
Felix Mendelssohn's "Wedding March" in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches , generally being played on a church pipe organ .
The overtures and certain orchestral passages from Wagner's middle- and late-stage operas are commonly played as concert pieces. For most of these, Wagner wrote or rewrote short passages to ensure musical coherence. The "Bridal Chorus" from Lohengrin is frequently played as the bride's processional wedding march in English-speaking countries. [195]
Trauungschor ("Wedding chorus"), WAB 49, is a wedding song composed by Anton Bruckner on 8 January 1865. History.
The "Bridal Chorus" from Lohengrin by Richard Wagner, commonly known as "Here Comes the Bride", is often used as the processional. Wagner is said to have been anti-Semitic, [17] and as a result, the Bridal Chorus is normally not used at Jewish weddings. [18] UK law forbids music with any religious connotations to be used in a civil ceremony. [19]
After 30 years in the bridal market and creating 59 (soon to be 60) full collections, Vera Wang's skill level is unmatched.
The crowd sings the praises of Hans Sachs, the most beloved and famous of the mastersingers; here Wagner provides a rousing chorus, Wach' auf, es nahet gen den Tag, using words written by the historical Sachs himself, [3] in a chorale-like four-part setting, [14] relating it to the chorales of the "Wittenberg Nightingale" (a metaphor for Martin ...