When.com Web Search

  1. Ads

    related to: bellyache easy chords piano tutorial

Search results

  1. Results From The WOW.Com Content Network
  2. Locked hands style - Wikipedia

    en.wikipedia.org/wiki/Locked_hands_style

    Locked hands style is a technique of chord voicing for the piano. Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison.

  3. Bellyache (Billie Eilish song) - Wikipedia

    en.wikipedia.org/wiki/Bellyache_(Billie_Eilish_song)

    "Bellyache" is a song by American singer Billie Eilish from her debut EP, Don't Smile at Me (2017). The song was released as the EP's second single on February 24, 2017, through Darkroom and Interscope Records. It was written by Eilish and Finneas O'Connell, with production being handled by the latter.

  4. Bellyache (Echobelly song) - Wikipedia

    en.wikipedia.org/wiki/Bellyache_(Echobelly_song)

    "Bellyache" is the first single released by the Britpop band Echobelly in 1993. The songs "Bellyache" and "Give Her A Gun" were re-recorded for their debut album , Everyone's Got One . [ 1 ] The other two b-sides , "Sleeping Hitler" and "I Don't Belong Here" were re-recorded and released as b-sides to "Kali Yuga", [ 2 ] from the album People ...

  5. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in

  6. Block chord - Wikipedia

    en.wikipedia.org/wiki/Block_chord

    A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]

  7. Chord substitution - Wikipedia

    en.wikipedia.org/wiki/Chord_substitution

    The chord a minor third above, ♭ VII 7, may be substituted for the dominant, and may be preceded by its ii: iv 7. [16] Due to common use the two chords of the backdoor progression (IV 7-♭ VII 7) may be substituted for the dominant chord. [11] In C major the dominant would be G7: GBDF, sharing two common tones with B ♭ 7: B ♭ DFA ♭.