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The relationship of these symbols to Mi'kmaq petroglyphs, which predated European encounter, is unclear. The Kejimkujik National Park and National Historic Site (KNPNHS), petroglyphs of "life-ways of the Mi'kmaw", include written hieroglyphics, human figures, Mi'kmaq houses and lodges, decorations including crosses, sailing vessels, and animals ...
Mazama temama (Central American red brocket) [citation needed] Menhaden (Brevoortia and Ethmidium) forage fish: Algonquian: A blend of poghaden probably from Abenaki or Penobscot, and an Algonquian word akin to Narragansett munnawhatteaûg, derived from munnohquohteau ("he fertilizes"), referring to their use of the fish as fertilizer. [160 ...
Nanabozho is a shapeshifter who is both zoomorphic as well as anthropomorphic, meaning that Nanabozho can take the shape of animals or humans in storytelling. [5] Thus Nanabush takes many different forms in storytelling, often changing depending on the tribe.
A wiigwaasabak (in Anishinaabe syllabics: ᐐᒀᓴᐸᒃ, plural: wiigwaasabakoon ᐐᒀᓴᐸᑰᓐ) is a birch bark scroll, on which the Ojibwa (Anishinaabe) people of North America wrote with a written language composed of complex geometrical patterns and shapes.
Native American remains were on display in museums up until the 1960s. [129] Though many did not yet view Native American art as a part of the mainstream as of the year 1992, there has since then been a great increase in volume and quality of both Native art and artists, as well as exhibitions and venues, and individual curators.
The University of Maine published a comprehensive Passamaquoddy Dictionary in 2008. Another resource for the language is the online Passamaquoddy-Maliseet Language Portal, which includes many videos, subtitled in English and Passamaquoddy, of native speakers conversing in the language. Most of the people speak English as their first language.
The Gros Ventre were reported living in two north–south tribal groups – the so-called Fall Indians (Canadian or northern group, Hahá-tonwan) of 260 tipis (2,500 population) traded with the North West Company on the Upper Saskatchewan River [clarification needed] and roamed between the Missouri and Bow River, and the so-called Staetan tribe ...
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.