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Digital audio editor Creator / developer Software license Microsoft Windows MacOS iOS Linux BSD Online Network storage External hardware Acoustica: Acon Digital Proprietary: Yes Yes No No No No Unknown Unknown Audacity: Audacity Team GNU GPLv2: Yes Yes No [3] Yes Yes No NFS Audiotool: Hobnox: Proprietary: Yes Yes Not officially supported ...
This comparison of free software for audio lists notable free and open source software for use by sound engineers, audio producers, and those involved in sound recording and reproduction. Audio analysis
Both editions share the same basic editing features, including single track clip editing and multitrack sessions as well as batch processing and audio CD projects. The audio output can be analyzed using real-time analysis tools such as level metering (RMS, peak and peak hold), loudness metering (EBU R-128), spectrum analysis and phase ...
The following comparison of audio players compares general and technical information for a number of software media player programs. For the purpose of this comparison, "audio players" are defined as any media player explicitly designed to play audio files, with limited or no support for video playback.
This list does not include discontinued historic or legacy software, with the exception of trackers that are still supported. [1] [2] If a program fits several categories, such as a comprehensive digital audio workstation or a foundation programming language (e.g. Pure Data), listing is limited to its top three categories.
Audio editing software is any software or computer program which allows editing and generating audio data. [1] Audio editing software can be implemented completely or partly as a library, as a computer application, as a web application, or as a loadable kernel module. Wave editors are digital audio editors. There are many sources of software ...
Comparison of coding efficiency between popular audio formats. An audio coding format [1] (or sometimes audio compression format) is a content representation format for storage or transmission of digital audio (such as in digital television, digital radio and in audio and video files).
The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.